(Source: anotherlucie, via creatingaquietmind)
Introducing, pocket penguin! Everyone should have a pocket penguin. ^u^
(via flyingbutter)
Guy Dessapt, Paris (c. 1990)
“As a child, Guy showed an enthusiastic aptitude for painting which led him to the highly acclaimed Art Decoratifs School in Paris. Here he learned about the masters of genre and grew to respect the impressionists of the 1800’s. At this time, Guy spent many days painting in the streets of Montmarte which provided him with direct exposure to a thriving arts community. He began painting his favorite subjects from cities and countrysides of Europe, which would later become his trademark expression. The themes emanating from Dessapt’s lifelong passion for travel are depicted through the merging of both visual experience with a uniquely striking impressionist style.” - LaMantia Gallery
(Source: dawnawakened)
Leafy Sea Dragons
These stunning sea dragon pictures illuminate their mysterious beauty and extraordinary adaptations. The near-invisibility of their fins gives the sea dragons the appearance of floating seaweed that is drifting with the currents. Instead of scales, they have protective armor to ward off predators. The row of spines along their backs can also wound attackers. At other times they will curl into balls like porcupines in self defense. Truly extraordinary creatures.
(via odditiesoflife)
(via amandaonwriting)
"
The questions I am often asked about my career tend to concentrate not on how one learns to code but how a woman does.
Let me separate the two words and begin with what it means to become a programmer.
The first requirement for programming is a passion for the work, a deep need to probe the mysterious space between human thoughts and what a machine can understand; between human desires and how machines might satisfy them.
The second requirement is a high tolerance for failure. Programming is the art of algorithm design and the craft of debugging errant code.
[…]
Now to the “woman” question.
I broke into the ranks of computing in the early 1980s, when women were just starting to poke their shoulder pads through crowds of men. There was no legal protection against “hostile environments for women.” I endured a client — a sweaty man with pendulous earlobes — who stroked my back as I worked to fix his system. At any moment I expected him to snap my bra. I considered installing a small software bomb but understood, right then, what was more important to me than revenge: the desire to create good systems.
I had a boss who said flatly, “I hate to hire all you girls but you’re too damned smart.” By “all” he meant three but, at the time, it was rare to find even one woman in a well-placed technical position. At a meeting, he kept interrupting me to say, “Gee, you sure have pretty hair.” By then I realized he was teaching me a great deal about computing. It would be a complicated professional relationship, in which his occasional need for male dominance would surface.
So, on that day of my pretty hair, I leaned to one side and said, “I’m just going to let that nonsense fly over my shoulder.” The meeting went on. We discussed the principles of relational databases, which later led me to explore deeper reaches of programming, closer to operating systems and networks, where I would find my real passion for the work. My leaning to one side, not confronting him, letting him be the flawed man he was, changed the direction of my technical life.
"—
Pioneering software engineer Ellen Ullman, author of the fascinating Close to the Machine, on how to be a ‘woman programmer.’ Also see the letters of the women who helmed the tectonic cultural shift of the era Ullman describes.
Pair with Margaret Atwood on literature’s ‘woman problem’ and Caitlin Moran on how to be a woman.
(via explore-blog)
(Source: , via explore-blog)
Derailing My Train of Thought by Thomas Wightman
Says Thomas about this project: “The final book sculpture of my major project series. Like the previous two sculptures it uses a visual metaphor to convey the emotions of obsessive-compulsive disorder, and embodies my research by visualising an expression used by a sufferer of OCD. The expression was ‘derailing my train of thought’, because the person felt that the rituals they had to perform were disrupting their day. Where the compulsions and worry would side track them from doing everyday activities.
To convey this metaphor the sculpture shows a train travelling on a journey that has become disrupted, leading it to derail from its set path. Typography was used on the tracks for the title of the piece, also type was used for the coal. In the scene it shows the coal cart tipping over where the type has become mixed up to symbolise the mixed emotions during anxiety and panic”.
Artist: Behance / Website / Previously!
(via teachingliteracy)
Fabergé Fractals made with 3D fractal creator by Tom Beddard
(Source: urhajos)
